11/6/2022 0 Comments Elton john album cover flowery![]() ![]() This was truly the debut of Elton John the entertainer, the pro who knows how to satisfy every segment of his audience, and this eagerness to please means the record is giddy but also overwhelming, a rush of too much muchness. Opening with the 11-minute melodramatic exercise "Funeral for a Friend/Love Lies Bleeding" - as prog as Elton ever got - Goodbye Yellow Brick Road immediately embraces excess but also tunefulness, as John immediately switches over to "Candle in the Wind" and "Bennie & the Jets," two songs that form the core of his canon and go a long way toward explaining the over-stuffed appeal of Goodbye Yellow Brick Road. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" - but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of John's spangled personality. Prior to Goodbye Yellow Brick Road, Elton John had hits - his second album, Elton John, went Top 10 in the U.S. After the Blue Moves album, I had to get away because I think we were all killing ourselves.It was designed to be a blockbuster and it was. As Taupin later told Music Connection: “I think the Blue Moves album is really one of our most underrated records…because it was really an exercise in saying, ‘Here it is, this is us, and this could be it,’ and it could have been it. The album’s completion also brought about a brief hiatus in the John-Taupin working relationship, as Elton eased off his touring commitments for a time and explored a collaboration with lyricist Gary Osborne on 1978’s A Single Man. Listen to the best of Elton John on Apple Music and Spotify. He told Circus magazine: “People are going to read a lot into Blue Moves: ‘Who’s this about, what made Bernie write this, what put Elton into this frame of mind?’ I don’t mind people interpreting, but I’d rather that they simply listen and enjoy.” Taupin agreed that the album had a more downbeat mood than its 1975 predecessor Rock Of The Westies. Other A-list musicians taking part included the Brecker Brothers, David Sanborn and vocalists such as Graham Nash, Bruce Johnston, and Toni Tennille.īlue Moves reached No.3 in both the UK and US, going gold in the first territory and platinum in the second, and was a Top 10 record in many other countries. Listen too for the admirably laid-back “Idol,” the delicate “Cage The Songbird,” and ”If There’s A God In Heaven (What’s He Waiting For?).” The last two had co-writing credits (among a total of five) for guitarist Davey Johnstone. ![]() ![]() Paul Buckmaster and James Newton Howard each oversaw some stunning orchestrations, with the latter arranging the stirringly emotional, slow-building “Tonight.” Newton Howard also arranged the accordion and strings on “Sorry Seems To Be…” and the Gene Page Strings for an early excursion onto the disco floor, on the near-seven-minute “Bite Your Lip (Get Up And Dance).” That became a single, as did the splendid “Crazy Water.” ![]()
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